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If I’m being completely honest, I gave up on the Song of Ice and Fire back in 2007 after I finished, “A Feast for Crows” and read George R R. Martin’s end note. I knew the series would never be finished at that point. It takes an author to smell another author’s b—shit. Here’s an excerpt of what he wrote and why I checked out. It comes from the 2006 paperback printing of “A Feast for Crows.”

“I did not forget about the other characters. Far from it. I wrote lots about them. Pages and pages and pages. Chapters and more chapters. I was still writing when it dawned on me that the book had become too big to publish in a single volume … and I wasn’t close to finished yet. To tell all of the story that I wanted to tell, I was going to have to cut the book in two.”

But the TV series cane along. In fact, it was the notion that the book series was going to be adapted by HBO that got me interested in reading the series in the first place. You must understand this was in the age of HBO adapting other book series like True Blood. In a way, the premium network was at the forefront of this phenomena long before such series became the flagship for various streaming services.

Even though I checked out on the book series, I watched season 1 of Game of Thrones and tried to get others interested in it. By the end of the season, I lost interest. It was just okay but it was slow like the books and full of the superfluous sex scenes HBO used to market all of its series at the time (see Rome). I let it go and just kept up with news tidbits and YouTube critics’ takes on the various plot developments in the years to come.

I picked up season 8, though, to be part of the conversation and to see how the the showrunners would complete the story without source material. What I didn’t know at the time and didn’t find out until S8:E3 was one of showrunners was responsible for X-Men Origins: Wolverine, which was awful and stupid. It’s the kind of movie that takes what should be a guaranteed payday in the form of Hugh Jackman playing Wolverine and thinks it’s a good idea to first, make a prequel, then sew Ryan Reynold’s Deadpool’s mouth shut, and then tear multiple plot holes in the X-Men cinematic universe. And I know my criticism of this movie panned out at the very least in the case of the actual Deadpool movies starring Ryan Reynolds, which had R rated success.

So, I subscribed to season 8 of GoT on Hulu and watched it. Once things got bad, I was just amused. I heard about the leaks and checked them out. So far, they’ve proven to be accurate. And in any case, this season is a disaster. Character motivations don’t make sense. The hard cuts the script writers keep using so they don’t have to have the characters react to actual huge revelations come off as cheap and forced. The battle tactics are asinine. The physical logic of various climatic scenes is obviously flawed.

Let’s be more specific. Here are some of my favorite gripes.

Arya, while wounded, can move past an army of undead creatures to assassinate a supernatural being, but can’t sneak into and out of a city that’s letting people into and out of it better than Jaime.

The scoprions are able to fire at a deadly, semi-automatic pace and put a cloud of arrows in the air, but when Dany assaults the full Iron Fleet and the city, the bolts come one at a time. Furthermore, you don’t need to kill her dragon to stop her. Several dozen men firing crossbows or longbows at Dany (not the dragon) while she’s torching defenses would eventually land a hit and end the battle.

Armor became worthless.

The war against Cersei should have ended in episode 4 when Dany stood within arrow and scorpion range of the city’s defenses and Cersei didn’t just kill her.

Jon has done nothing in season 8. Yes, there are leaks for the final episode, but let’s be real. Arya killed Jon’s arc in episode 3.

Ghost’s treatment.

Bran’s uselessness.

Jaime’s heel to face to heel turn.

The Dothraki were initially going to charge into the dark at the army of the undead with normal weapons. Normal weapons. Yes, they got fire weapons later and it didn’t matter in the end, but they were prepared to charge without them!

I could keep going. Plenty of people have done some great analysis of these episodes and care more about them than I do. Check out Nerdrotic, Doomcock, or Mauler’s videos on YouTube.

The followup, a.k.a., the other half of a “Feast for Crows”, didn’t come out for another 5 years. Despite my disillusionment, I got “A Dance with Dragons” on my Nook Color. I only read the first few chapters and quit. I don’t care where whores go, Tyrion.

I sold my Nook Color at a garage sale a couple years ago. “The Winds of Winter” still has not come out. It’s effectively been 14 years since the last Song of Ice and Fire book. With that understanding, strap in for the final episode of season 8, because it’s going to get adamantium bullet levels of stupid.

Spoilers for Avengers: Endgame ahead.

Avengers: Endgame. An epic film 10 years in the making. It delivered on the great conclusion and audiences love it. But in 10 more years, it may not be remembered so fondly.

The Marvel masterpiece raises the specter of Star Wars: The Force Awakens in many significant ways. That film, too, had a massive build and smashed box office records. Critics and audiences praised it and the director. It was the rebirth of Star Wars, but there was always a sense that something wasn’t quite right with it for a small segment of audiences.

So years later (and after the cinematic catastrophe that was its sequel, The Last Jedi), fans have revisited TFA and found its many, many problems. Conveniences abound, world building is non-existent. Mysteries exist for mystery sake and characters fail to have any real characterization. And a beloved character dies in a climatic scene.

It’s not a perfect parallel in its elements to Endgame, but it’s similar in a broader sense. Fan service, intrigue, and a few good moments plaster over the many plot holes and logical inconsistencies.

Years from now or maybe sooner, today’s fans are not going to look back so fondly on this film. They’ll return to Chubby Thor playing Fortnite; bizarre time hopping and alternate realities and that raise so many questions of how, when, and why; the Avengers plan in general; the off screen creation of Professor Hulk; Bucky not being made the next Captain America, and Captain Marvel’s tacked on parts. There are more issues, but I’m not trying to be comprehensive here.

The biggest problem for me comes from the Avengers plan. They use the gauntlet to bring everyone back that was snapped away 5 years ago. This is what Tony Stark wanted/demanded to keep his family. It’s hard to blame the guy for this plan without sounding ungrateful, but it’s still a hard thing to accept.

That decision made, the Avengers return the survivors to the present, creating a horrible dystopia. In five years, people have moved on from the loved ones they lost, killed themselves from grief, and died from other causes. The result is this world where half the population returns to a world where most of them no longer belong, some are missing family members, and society no longer has the capacity to sustain them after letting infrastructure decay. Confusion, new grief, rage, starvation, and global riots await them after being gone for subjective seconds.

And that’s just on Earth.

It’s an issue the screenwriters could have completely avoided had they not chosen the story option of Thanos destroying the Infinity Gems. Had they not given Thanos the capacity to do that, there would not have been a need for a 5-year time skip or time travel in general. That story decision is the root of almost all of the major problems with the script. The only reason I think they did that was to have the time travel plots to revisit the previous films. In a sense, they wanted to close out the story with a quasi-clip show.

The workaround would have been to have the Avengers steal most of the gems from a wounded but healing Thanos, who is preparing to return to his duties ruling his empire to curb the chaos his snap created, and then watching the Avengers race around the cosmos trying to build a new gauntlet while protecting the gems from Thanos. If the writers are still married to the time traveling, then the Avengers could have inexpertly used the Time stone to try to escape to the past with the various stones for brief periods of time. In the climax, they finish the gauntlet, get the rest of the gems from Thanos, and Tony snaps to bring everyone back and all his returned allies to the new battlefield. That’s just one thought.

Where the MCU goes from here is anyone’s guess. There are movies scheduled to be produced and we have some idea of which heroes will comprise the next wave of Avengers, but Endgame undercut a lot of interest in any story that follows. Multiple timelines/realities reduce the stakes, as nothing really matters in such a multi-verse. Lesser-known and less-liked heroes won’t have the time they need to endear themselves to audiences while grappling with threats far below the threat Thanos represented. And the prime timeline is pretty messed up thanks to the reasons mentioned above with bringing back half the population of everything after 5 years.

Endgame did future stories and heroes no favors in this regard. This lack of establishing a solid launch platform for the next phase will further tarnish the legacy of this film as the new films premiere to decaying fan interest.

Maybe I’m wrong about this. Maybe tonight’s episode of Game of Throne made me salty. We’ll see.

Spoilers: Game of Throne Origins – Wolverine

Spoiler Warning: The Endgame Awakens